If you need anymore proof, I have three letters: S - S - L." Whether inserted at the beginning or towards the end it's been a pretty standard technique for decades done by engineers all over the globe. Compression across the stereo bus while mixing is done all the time on most of the records you own. ![]() ![]() With most of the music he's been mixing lately, 4 dB of compression at the loudest point in the song has been sounding really good.Ĭharles comments, "I should also say that this is in no way considered mastering compression. Here's Charles' setting for the Waves RenComp that closely mimics the buss compressor on an SSL console: The studio where Mix It Like A Record was filmed:Ĭlick to hear Charles' recent productions and mixes! This is Part #2 of 4 in our special series, The 30 Days Of Dye. He's also recorded artists such as Aerosmith, Jennifer Lopez, Shakira and Gloria Estefan, among many others. Since that time he's mixed hits for Ricky Martin, Sammy Hagar, Julio Iglesias, and Jon Bon Jovi. ![]() Week #2Multi-platinum, Grammy Award-winning engineer, mixer and producer Charles Dye began his engineering career in 1992.
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